The Spy Who Came in From the Cold: Review
The Spy Who Came in from the Cold was written by John le Carré and published in 1963. It is a literary thriller addressing the amorality of spying and the cynicism of both sides in the Cold War. It has won multiple awards and is regularly voted one of the top ten spy thrillers of all time.
Warning: Major spoilers are blacked out like this secret . To view them, just select/highlight them.
The Spy Who Came in from the Cold: Logline
At the height of the Cold War, a burnt-out British spy is asked to pretend to defect in order to frame an enemy spymaster, but he falls in love with a naive Communist and begins to suspect he is a pawn in a cynical double-cross.
The Spy Who Came in from the Cold: Plot Summary
Alec Leamas runs the Circus (British intelligence) in West Berlin. All his agents have been captured by the Abteilung (East German intelligence), and so he returns to London in disgrace.
Control, who is head of the Circus, asks Leamas to fake his defection to East Germany as part of a plot to trick the Abteilung into thinking their head, Mundt, is a British double agent and so eliminate a dangerous enemy.
The Circus fires Leamas. He drinks heavily and causes trouble to build his cover as a disillusioned ex-spy. Then he gets a job at a library and meets Liz Gold, who is a Communist. They become lovers. This leads to Leamas coming to the attention of the East Germans and agreeing to defect to them.
In East Germany, Leamas meets Fiedler, Mundt’s deputy, who interrogates him. Leamas hints at British payments to a double agent in the Abteilung. Fiedler, who is an idealist, starts to suspect Mundt’s loyalties as an ex-Nazi who was once in British hands and could have been compromised.
In England, George Smiley, Control’s deputy, offers Liz money, claiming Leamas asked him to help her.
Mundt orders that Fiedler and Leamas are arrested, but the Abteilung’s superiors intervene and arrange a tribunal to discover who is really the double agent – Fiedler or Mundt.
At the trial, Leamas shows how British payments match Mundt’s movements and supplies other circumstantial evidence of his guilt, but Mundt has a surprise witness…
The witness is Liz Gold. She tells the court how George Smiley gave her money and provides other hints that Mundt is the victim of a British plot. In return for Liz’s freedom, Leamas admits the truth, and Fiedler is arrested.
Mundt helps Leamas and Liz escape, telling them to drive to Berlin where his agent will help them get over the Wall.
Leamas realises that Mundt really is a double agent and the point of the operation was to eliminate Fiedler before he exposed Mundt . Liz is horrified by the ruthless cynicism of the British action.
Liz and Leamas try to climb the Berlin Wall and return to the West, having been assured the border guards have been bribed, but the spotlights turn on them and Liz is shot. Leamas could escape, but he decides to climb back down to be with Liz. The guards kill him.
The Spy Who Came in from the Cold: Analysis
The Spy Who Came in from the Cold has a Mission plot (see Spy Novel Plots ).
The ‘Mission’ Plot
- Is given a mission to carry out by their Mentor.
- Will be opposed by the Antagonist as they try to complete the mission.
- Makes a plan to complete the mission.
- Trains and gathers resources for the Mission.
- Involves one or more Allies in their Mission (Optionally, there is a romance subplot with one of the Allies).
- Attempts to carry out the Mission, dealing with further Allies and Enemies as they encounter them.
- Is betrayed by an Ally or the Mentor (optionally).
- Narrowly avoids capture by the Antagonist (or is captured and escapes)
- Has a final confrontation with the Antagonist and completes (or fails to complete) the Mission.
When The Spy Who Came in from the Cold came out, reviewers felt it was a response to the unrealism and moral certainty of popular spy heroes like James Bond. Le Carré’s depiction of espionage as an amoral world where no one considers their actions as good and evil, just as effective or ineffective, was revolutionary and controversial.
Le Carré was serving in MI6, which is why his novels are published under a pseudonym. So readers assumed the novel was authentic, unlike the over-the-top “sex and sadism” of James Bond.
In fact, MI6 had the right to vet The Spy Who Came in from the Cold before it could be published. Le Carré has claimed the only reason they approved it was because the book was so unrealistic that MI6 assumed it would not be taken seriously. They later regretted this because the unethical behaviour of the British in the novel made future recruitment harder.
Le Carré has subsequently claimed that his most realistic book is The Looking Glass War , a downbeat work featuring a dreary, penny-pinching intelligence service, dreaming of its Second World War glory years. The Looking Glass War was one of his least popular novels – there is realism and then there is realism.
The Spy Who Came in from the Cold: Alternative Cover
I loved how this cover looked when I inverted the black and white. The barbed wire is of course reminiscent of the Cold War and the Berlin wall.
The Spy Who Came in from the Cold: My Verdict
One of the great classics of spy literature. John le Carré is a giant literary figure. For most writers this would be their masterpiece, but for le Carré it’s just one superb work amongst many. Smiley’s People, The Little Drummer Girl and The Constant Gardener, for example, are great novels too, and many people regard Tinker, Tailor, Soldier, Spy as John le Carré’s best work.
The Spy Who Came in from the Cold: The Movie
The movie of The Spy Who Came in From the Cold stars Richard Burton as Leamas and Claire Bloom as Liz (who was renamed Nan to avoid confusion with Burton’s wife, Liz Taylor). It was directed by Martin Ritt from a screenplay by Paul Dehn and Guy Trosper. It won the 1967 BAFTA Award for Best British Film.
It is faithful to the original, making very few changes. Apart from the compression inevitable in any movie , the only real difference is that in the novel both Liz and Fiedler are Jewish and Mundt is an anti-semitic ex-Nazi, whilst in the film there are fewer references to religion.
The film also made an interesting stylistic choice by being filmed in black and white, to emphasise the bleakness of le Carré’s world.
Richard Burton makes an excellent Leamas and was nominated for an Academy Award nomination for Best Actor for his role.
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