The Riddle of the Sands: Book Review
The Riddle of the Sands, written by Erskine Childers and published in 1903, is the prototype of all modern spy novels. Arguably, the only earlier spy novels are The Spy, written by Fenimore Cooper during the American Revolutionary War and Kim by Rudyard Kipling. The Riddle of the Sands set a format and tone for spy thrillers that many popular authors still follow.
Warning: Major spoilers are blacked out like this [blackout]secret[/blackout]. To view them, just select/highlight them.
The Riddle of the Sands: Title
The title uses a classic title archetype, the Problem. The story is about how the protagonists solve the mystery of what’s going on in the sandbanks surrounding the Frisian Islands.
The title also uses a title structure, “The [something] of/who/for [something]”, that’s proven to be effective.
(For more on titles, see How to Choose a Title For Your Novel)
The Riddle of the Sands: Logline
When an amateur British sailor on a yachting holiday in the Baltic stumbles upon a German invasion plan masterminded by a renegade Englishman, he must choose between warning his country and his love for the traitor’s daughter.
(For more on loglines, see The Killogator Logline Formula)
The Riddle of the Sands: Plot Summary
Carruthers, a British Foreign Office employee, agrees to go on a yachting holiday with an acquaintance, Davies. Carruthers assumes that Davies’ yacht, Ducibella, will be a luxury vessel with a crew. So, when he arrives at the port to meet Davies, he’s disappointed to discover that she’s a small sailing boat.
Nevertheless, the two sail across the North Sea and into the Baltic, Carruthers quickly learning how to sail the small boat. They head for the Frisian Islands, off the coast of Germany.
Last Year in the Frisian Islands
As they travel, Davies tells Carruthers the story of his earlier expedition to the Frisian Islands. A German yacht lured Davies on to a shoal in rough weather, nearly wrecking Ducibella. Davies is suspicious about what would motivate the Germans to try to kill him. Having failed to interest anyone in the government in the incident, he feels it’s his patriotic duty to investigate further.
Carruthers and Davies arrive off the Frisian Islands and explore the shallow tidal waters of the area. They discover nothing suspicious but hear rumours of an expedition recovering treasure on a small island called Memmert. The treasure hunters include an expatriate Englishman, Dollmann.
Carruthers and Davies try to approach Memmert. They’re warned away by a German navy patrol boat, the Blitz and its commander Von Bruning. This makes them even more sure that there is something more than a treasure dig on the island.
Meanwhile, Davies falls in love with Dollmann’s daughter, Clara, and although suspicious of Dollmann, he wants to avoid hurting Clara.
Taking advantage of a thick fog, they navigate the Ducibella’s dinghy through the treacherous sands to Memmert.
Carruthers investigates the island. He overhears Von Bruning and Dollmann discussing something more than treasure hunting. Their conversation includes cryptic references to ‘Chatham’, ‘Seven’ and ‘the tide serving’.
The pair return through the fog to Ducibella. There, they find Dollmann and Von Bruning nosing around. Von Brunning invites them to his villa for a dinner, where he’s obviously suspicious. At the dinner he subtly tries to cross-examine them, trying to find out if they’re British spies. Carruthers plays a dangerous game, admitting they are curious, but only in the cover story about treasure. He merely wants to see the imaginary ‘wreck’.
Carruthers announces that the Foreign Office has recalled him to England. He heads off, then doubles back to follow Von Bruning and his cronies…
Solving the Riddle
He [blackout]trails them to a port where they board a tugboat towing a barge. Carruthers sneaks aboard and hides, and the convoy heads to sea.[/blackout]
Carruthers [blackout]finally puts the riddle together. The Germans are linking the canals and the railways, dredging passages through the shifting sands, and hiding a fleet of tugs and barges. The only explanation is that they’re secretly planning to transport a powerful German army across the North Sea to invade Britain’s east coast.[/blackout]
He [blackout]escapes after grounding the tugboat and rushes back to Davies. Finding him, he explains they must flee before the Germans arrest them.[/blackout]
They [blackout]convince Dollmann that the Germans will think he’s a British spy and arrest him. His only chance of freedom is if he and Clara leave for Britain on the Ducibella. As they sail across the North Sea, Dollmann commits suicide by jumping overboard, presumably to avoid disgrace and arrest for treason.[/blackout]
An epilogue by the ‘editor’ [blackout]examines the details of a report prepared by Dollmann outlining his plan for the invasion force. A postscript notes the Royal Navy is finally taking countermeasures to intercept any German invasion fleet and urges haste.[/blackout]
(For more on summarising stories, see How to Write a Novel Synopsis)
The Riddle of the Sands: Analysis
In The Riddle of the Sands, Erskine Childers combined the subgenres of Adventure Novel, and Invasion Story, which had been popular for years and invented the modern spy story.
Even today, many spy novels contain the same elements:
- Active protagonists who make things happen.
- Patriotism or other simple motivations.
- External rather than internal conflict.
- Exciting set-piece scenes of conflict.
- A mystery to investigate.
- Unlikable antagonists with nefarious motives.
- Lots of procedural and technical detail.
- A love interest subplot.
The Riddle of the Sands has a hybrid of Adventure and Mystery plots (see Spy Novel Plots). It’s a curious book for the modern reader: slow by the pulse-pounding thriller standards we are used to, but it holds the reader’s interest nevertheless.
One strand is simply a sailing adventure story. The other is the mystery, which builds nicely. Davies’ obsessive need to discover the secret of the island and Carruthers’ more languid interest contrasting nicely.
Surprisingly, much of the story does not feel that dated, perhaps because of the sailing element – sailing has changed little. The characters seem rather reserved, and their overt patriotism certainly exceeds the usual level in Britain these days. The romance between Davies and Clara is also rather coy by modern standards, with little more than a few batted eyelashes between the supposed lovers.
The only other spy novel I’d argue has been as influential as The Riddle of the Sands is The Thirty-Nine Steps, which introduced the spy as a fantasy hero, battling impossible odds and always in danger. There’s none of that in The Riddle of the Sands – its realism quotient is high, particularly during the sailing sequences. In fact, large chunks of the novel are almost verbatim from the logbook of one of Erskine Childers’ sailing holidays in the Baltic.
It’s interesting to note that the ‘spymania’ that resulted from Erskine Childers’ The Riddle of the Sands and a flurry of similar books from authors like E. Phillips Oppenheim and William Le Queux, actually predated the modern intelligence agencies. In particular, the scaremongering of Le Queux was directly responsible for the creation of Britain’s intelligence agencies.
The Riddle of the Sands: Alternative Book Cover
The abstract patterns of water and sandbanks surrounding the Baltic island at the heart of the mystery inspired me. The cover image superimposes the title in simple, bold lettering and Erskine Childers’ name in a flowery script. It’s a simple, minimalist cover that hints at the sailing theme with the icon of the yacht leading the eye to the title.
The Riddle of the Sands: My Rating
Builds a fascinating portrait of a world that no longer exists. Treat it as a period piece and make a few allowances for the style of a bygone era and it will pay dividends.
The Riddle of the Sands: the Movie
There was a The Riddle of the Sands movie made in the seventies starring Michael York, Jenny Agutter and Simon MacCorkindale, but it’s probably best forgotten. Stick with the book.
Want to Read It?
It’s available for free on Project Gutenberg.
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